/* Social — shared design tokens. ONE LAW, ONE PALETTE — docs/design.md. This app shipped three visual laws and two palettes at once: a Plans day-cell inverted to #17181a while the tab bar under it drew #201e1d, and the plan panel's brass was #a8742f while the tab bar's was #b07b33. docs/design.md § THE GROUNDS, § THE ACCENT and § THE CATEGORIES are now the only place a role is named, and this file is the only place a role has a value. THE ROLES ARE APPLE'S, and the reason is structural rather than a taste: the app is built on MapKit and reads as a native iOS app, so the grounds are systemGroupedBackground, the accent is systemIndigo and every category hue is one Apple system colour — which is what lets a pin sit beside Apple Maps' own restaurant and bar pins without clashing. FOUR INK LEVELS, NOT THREE. The old law had three and the third was doing two jobs at once — carrying real information (times, prices, distances) and being the quiet decorative tone (separators, disabled) — so it was tuned for the wrong one. --ink-quiet carries information and never goes below the value below it; --ink-faint is never text a person is expected to read. NIGHT IS ON, AND IT FOLLOWS THE PHONE ([UI REBUILD 3] L8). The `[data-theme="night"]` block below is still a second derivation rather than an inversion, and it is still gated on the ATTRIBUTE ONLY — there is no `prefers-color-scheme` rule in this file. The phone's preference, and the Appearance choice in Settings that can overrule it, are read by src/lib/appearance.ts and by the inline script at the top of src/index.html, which turn them into that one attribute before the first paint. One attribute is still the whole switch; what changed is who flips it. */ :root { /* ========================================================== THE DAY PALETTE — the law's own hexes, and the only place a value lives. Every color in the app flows from these tokens; there are no hardcoded colors outside this block and its night twin. ========================================================== */ /* page + surfaces THE DAY GROUND IS SLATE AND NO LONGER NEUTRAL. Every level below except --surface moved one step toward blue: a neutral grey ground under a map whose water and parks are the only saturated things on the screen reads as the absence of a decision, and the app's one accent is indigo. The ground is now the same family as the accent rather than a colour nobody picked. --surface DOES NOT MOVE. #ffffff is the card, and it is what tests/warmer-heat.spec.ts asserts the canvas renderer's PAPER_INK against — the one ink that renderer cannot ask the stylesheet for at paint time. A tinted card would also be the one surface in this app that a photograph sits on. */ /* THE UA'S OWN GROUND — scrollbars, form controls and the canvas behind the page follow the ground this block describes. */ color-scheme: light; --page: #eceef4; /* systemGroupedBackground, cooled to slate */ --surface: #ffffff; /* cards, list rows */ --surface-sunken: #e0e3ec; /* inputs, wells inside cards */ --border: #d6dae4; /* visible card and input borders */ --border-strong: #9aa0ae; /* hairlines that must read as lines: day dividers, the calendar grid, table rules */ /* ink — four levels, each with one job. See the header. Slate too, and the top level is no longer pure black: #0b1017 is a near-black that belongs to the ground under it, and it reads 16.5:1 on --page. */ --ink: #0b1017; /* titles, and what a person came to read */ /* THE TWO MIDDLE LEVELS WERE UNDER AA ON THEIR OWN GROUNDS, and the owner ruled the repair in L8: #7d828e read 3.85:1 on --surface and #6e737f read 4.09:1 on --page. Both moved darker along the same slate ramp until each clears 4.5:1 on --page, --surface AND --surface-sunken (a field's own ground); quiet stays the darker of the two, which is the law's own ordering for day. */ --ink-soft: #5f6470; /* venue lines, sub-copy, second lines */ --ink-quiet: #545965; /* times, prices, distances, section labels — CARRIES INFORMATION, never taken lower */ --ink-faint: #b2b7c3; /* separators, disabled, decoration — NEVER text a person is expected to read */ /* indigo brand — systemIndigo, and it does exactly one job: it marks what is yours and what is live. Brass is retired, for a structural reason worth recording: Apple Maps' ground is a warm pale beige and brass is the same family, so a brass pin sank into the terrain instead of sitting on it — and brass was also Music's category hue, so selection and "this is a concert" said the same thing. */ --brand: #5856d6; /* primary action, current tab, selection, links */ --brand-strong: #4a48c4; /* hover / pressed / text-on-light accents */ /* THE FILL BEHIND WHITE WORDS — [UI REBUILD 3] L8. On day it IS --brand. On night --brand is lifted to read as ink on black, and white on it measures 3.53:1; where a fill carries a literal white word (a selected cell, a badge, a primary press typed before night existed) it wears this instead, Apple's own dark systemIndigo, where white reads 5.06:1. A fill whose word is --surface keeps --brand, which is § THE ACCENT's rule and reads 4.82:1. */ --brand-fill: var(--brand); /* status */ --accent: #ff3b30; /* the one loud color — alert, errors, the NEW tag */ --ok: #34c759; /* success confirmations, free shows */ /* GOLD, AND IT IS A REAL COLOUR NOW. The golden ticket's gold was DERIVED from --brand — `color-mix(in srgb, var(--brand) 76%, var(--surface))`, in src/social.css and again in src/feed.css. That worked while --brand was brass: mixing brass toward white gives leaf. --brand is indigo, and mixing indigo toward white gives LAVENDER, so every golden ticket in the app has been shipping pale purple. A ticket that is not golden is a bug in the one object whose entire meaning is its colour, so the gold stops being a function of the accent and becomes a value of its own — which is also what stops the next re-hue of --brand from repainting it again. It is a leaf gold rather than a metallic yellow: it carries text on the feed card's dark ground and sits on Apple Maps' warm beige without sinking into it, which is the same argument that retired brass. */ --gold: #c9922f; /* the golden ticket, and nothing else */ /* cold — the one COOL color, and it names one idea: ground with nobody on it. The map's warmer demo washes the basemap in it and paints its quietest districts with it; heat stays --brand's, because a person is warmth. Deliberately a slate BLUE and not a teal: --ok is what this app spends on a FRIEND, and cold that could be mistaken at a glance for somebody you know would be a bug rather than a style. It is its own token instead of a borrowed category hue for the reason the group below states — those are read through src/lib/categories.ts and mean a KIND OF EVENT, so a re-hue there must never repaint the map. UNCHANGED BY THE PALETTE PASS. Everything around it got warmer or louder; this one did not move, because its whole job is to be the temperature nothing is happening at. */ --cold: #4a6fa5; /* category hues — read through src/lib/categories.ts, which is the one list mapping category ids onto these. Ten categories, ten Apple system hues, one each; blue and indigo are reserved, which is exactly what leaves room for ten. Where a category hue may appear: the map pin, its glyph, a card's tag dot, a filter chip's dot. That is the entire list — never a button, a wash, a card fill, a header or a selected state, because a category is information and not emphasis. */ --cat-music: #ff2d55; /* systemPink */ --cat-nightlife: #af52de; /* systemPurple */ --cat-food: #ff9500; /* systemOrange */ --cat-water: #32ade6; /* systemCyan */ --cat-comedy: #ffcc00; /* systemYellow — takes DARK ink; white on yellow fails contrast on both grounds */ --cat-games: #34c759; /* systemGreen */ --cat-arts: #a2845e; /* systemBrown */ --cat-fitness: #00c7be; /* systemMint */ --cat-sports: #ff3b30; /* systemRed */ --cat-market: #30b0c7; /* systemTeal */ --cat-other: #8e8e93; /* systemGray */ /* RETIRED, PENDING THE VOCABULARY CHANGE. docs/design.md names ten categories and 'family' is not one of them — but src/lib/categories.ts still lists it and still renders `var(--cat-family)`, so deleting the token here would draw a chip dot in no colour at all, which reads as a rendering bug rather than as a retirement. It dies with the vocabulary in its own lane; until then it is systemGray, the same as --cat-other. */ --cat-family: #8e8e93; /* the one shadow: soft ink, for cards and raised menus */ --shadow: rgba(45, 43, 43, 0.12); /* type — SAN FRANCISCO, VIA THE SYSTEM STACK, and it is the one face here that is loaded by not being loaded. docs/design.md § TYPE has said so since the law was written — "A custom face is the loudest single tell that an app is not native" — while this file went on declaring Archivo and the shell went on fetching it from Google Fonts. Both loads are gone. THE THREE NAMES STAY, because they carry 230 declarations between them and renaming buys churn. All three resolve to ONE stack, the law's own character for character, and what they mean is a ROLE and not a face: --font-display the poster voice. WEIGHT is what makes a display line now, and the weight is written at every site already. --font-body running text, and the app's default. --font-mono TABULAR, NOT A SECOND FACE — the places whose subject is a NUMBER, which is why the rules reading it carry font-variant-numeric. Nothing in this app wants a fixed advance, and the retired chain gave none either: it began 'Archivo', so ui-monospace was never reached. NO "SF Pro Display" FOR THE DISPLAY TOKEN, and no variable-axis settings anywhere. Those are the retired discrete optical cuts; modern SF is one variable face that interpolates optical size from the point size, and naming a cut — or an axis — fights it. */ --font-display: -apple-system, BlinkMacSystemFont, "SF Pro Text", system-ui, "Segoe UI", Roboto, sans-serif; --font-body: -apple-system, BlinkMacSystemFont, "SF Pro Text", system-ui, "Segoe UI", Roboto, sans-serif; --font-mono: -apple-system, BlinkMacSystemFont, "SF Pro Text", system-ui, "Segoe UI", Roboto, sans-serif; /* 8px spacing grid */ --s1: 8px; --s2: 16px; --s3: 24px; --s4: 32px; --s5: 40px; --radius: 6px; --radius-lg: 10px; --touch: 48px; /* minimum touch target */ /* The fixed bottom tab bar's height, EXCLUDING the safe-area strip beneath it. A token rather than a number in three rules, because three things have to agree about it: the bar's own box, the page's bottom padding (so the last card is not sat on), and the Ask composer's sticky offset (so it rides above the bar rather than behind it). */ --tabbar-h: 58px; /* The bar treatment, shared by the app bar and the tab bar so the two edges of the app match: the page color, thinned, with a blur behind it where the browser supports one. color-mix rather than a fifth surface hex — this file's no-hardcoded-color contract holds. */ --bar-bg: color-mix(in srgb, var(--page) 88%, transparent); /* ── THE DARK GROUND — the poster's own, and it does not follow the theme ── docs/design.md § THE GROUNDS, THE DARK GROUND. The two POSTER surfaces — the feed's stream and the Plans day view's part stack, one card component between them — are drawn on the NIGHT ground whichever theme the html attribute names: the card is the screen and the chrome floats over it. So their roles are declared ONCE, here, at the night table's values to the hex, and are NOT restated in the night block below, because a ground that does not follow the theme has no second value to restate. Eight roles — the night ground's four levels and its four inks — under a prefix of their own, so a poster rule can never be reading the page's ground by accident and a page rule can never be reading the poster's. tests/design-law.spec.ts reads each value out of the law's own table and asserts it here and nowhere else. src/feed.css is the one sheet that spends them. */ --poster-page: #000000; --poster-surface: #1c1c1e; --poster-surface-sunken: #2c2c2e; --poster-border: #48484d; --poster-ink: #ffffff; --poster-ink-soft: #b3b3b8; --poster-ink-quiet: #77777c; --poster-ink-faint: #48484d; } /* ── NIGHT — ON SINCE L8, WHEN THE PHONE OR THE PERSON ASKS FOR IT ───────── A second derivation, not an inversion: the same value reads darker against black, so every level is re-picked rather than flipped. Gated on the attribute ALONE, which src/lib/appearance.ts sets from the Appearance choice (Match phone / Light / Dark) — see the header. Only the ROLES that change are restated, plus the few L8 had to add for a ground that is dark (--brand-fill, and --border-strong re-picked; see src/night.css). --cold, --shadow, the faces, the steps, the radii and --tabbar-h are ground-independent and are declared once, above. NEUTRAL UNDER A SLATE DAY, AND THAT IS STILL A CHOICE: an iPhone-style dark is Apple's own neutral near-black, and a slate night would read as muddy blue-grey — the owner's ruling for L8 names that as the thing to avoid. --ink-quiet MOVED IN L8: #77777c read 3.82:1 on --surface and 3.13:1 on --surface-sunken. #a1a1a6 reads 6.61:1 and 5.42:1. */ [data-theme="night"] { color-scheme: dark; --page: #000000; --surface: #1c1c1e; --surface-sunken: #2c2c2e; --border: #48484d; --ink: #ffffff; --ink-soft: #b3b3b8; --ink-quiet: #a1a1a6; --ink-faint: #48484d; --brand: #7d7bef; --brand-strong: #9695f2; --brand-fill: #5e5ce6; /* THE LINE THAT MUST READ AS A LINE, re-picked for black. The day value (#9aa0ae) is a bright rule on a dark page — every bar edge, chip rim and field outline turned into a glare. #5a5a5f reads as a line on black and on --surface without shouting, and stays a step above --border. */ --border-strong: #5a5a5f; --accent: #ff453a; --ok: #30d158; /* Lifted on black, like every other pigment here — the day value reads as brown against the night ground rather than as gold. */ --gold: #e0b45c; --cat-music: #ff375f; --cat-nightlife: #c56bf5; --cat-food: #ff9f0a; --cat-water: #64d2ff; --cat-comedy: #ffd60a; --cat-games: #30d158; /* The single deviation from Apple's own dark value: systemBrown goes muddy on black, so arts is pushed past it. */ --cat-arts: #c6a47c; --cat-fitness: #63e6e2; --cat-sports: #ff453a; --cat-market: #40c8e0; --cat-other: #a0a0a6; } /* ── REDUCED TRANSPARENCY: THE MATERIAL GETS ITS OPAQUE TWIN ───────────── docs/design.md § THE MATERIAL: "Every glass token has an opaque twin and it is not optional." We cannot read iOS's transparency slider, so a reader who has turned it down gets the ground itself rather than a thinned one. The BLUR is not touched here and that is deliberate: three specs assert `backdrop-filter: blur(10px)` verbatim against the sheets that declare it, and dropping the filter is that pass's work rather than this one's. */ @media (prefers-reduced-transparency: reduce) { :root { --bar-bg: var(--page); } } /* ── INCREASED CONTRAST ───────────────────────────────────────────────── Two roles move and no third: the hairline becomes the one that reads as a line, and the quiet level gives up being quiet. On the night ground that is a straight lift (--ink-soft is the lighter of the two against black); on day the two sit within 15 points of each other, so it is a small move rather than a dramatic one — the level that carries information is already the darker of the pair by the law's own tuning. */ @media (prefers-contrast: more) { :root { --border: var(--border-strong); --ink-quiet: var(--ink-soft); } } /* --- reduced motion: disable every animation --- */ @media (prefers-reduced-motion: reduce) { *, *::before, *::after { animation: none !important; transition: none !important; scroll-behavior: auto !important; } }